The Art of Piano Pedaling: Two Classic Guides
(eBook)

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Published
Dover Publications, 2013.
Status
Available Online

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Physical Description
0m 0s
Format
eBook
Language
English
ISBN
9780486318950

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Citations

APA Citation, 7th Edition (style guide)

Anton Rubinstein., Anton Rubinstein|AUTHOR., & Teresa Carreno|AUTHOR. (2013). The Art of Piano Pedaling: Two Classic Guides . Dover Publications.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Anton Rubinstein, Anton Rubinstein|AUTHOR and Teresa Carreno|AUTHOR. 2013. The Art of Piano Pedaling: Two Classic Guides. Dover Publications.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Anton Rubinstein, Anton Rubinstein|AUTHOR and Teresa Carreno|AUTHOR. The Art of Piano Pedaling: Two Classic Guides Dover Publications, 2013.

Harvard Citation (style guide)

Anton Rubinstein., Anton Rubinstein|AUTHOR. and Teresa Carreno|AUTHOR. (2013). The art of piano pedaling: two classic guides. Dover Publications.

MLA Citation, 9th Edition (style guide)

Anton Rubinstein, Anton Rubinstein|AUTHOR, and Teresa Carreno|AUTHOR. The Art of Piano Pedaling: Two Classic Guides Dover Publications, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID27db2adf-5101-ebea-0438-aa779a2b7210-eng
Full titleart of piano pedaling two classic guides
Authorrubinstein anton
Grouping Categorybook
Last Update2024-11-08 20:48:06PM
Last Indexed2025-04-26 03:59:56AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 8, 2024
Last UsedMar 29, 2025

Hoopla Extract Information

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    [synopsis] => With Rubinstein considered Liszt's only possible rival on the concert stage, and Carreño as the foremost woman pianist of the late nineteenth century, it is an unexpected gift that both have left behind insights into that supremely important - but grossly neglected - aspect of performance called "the soul of the piano": the art of piano pedaling. Their treatment of pedaling is of the utmost importance, not only from a historical standpoint, but for what it can still teach even the most sophisticated player. Rubinstein's pedaling technique is explored using specific examples from a vast repertoire of works he performed in 1885-6. Carreño's observations - written in a warm, non-academic style - explore her sensitivity to the most subtle keyboard colorings made possible through combinations of touch and pedal.
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