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(0)John Ruskin
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"The King of the Golden River," which Ruskin wrote in 1841 (it was not published until 1851) for nineteen-year-old Euphenia Chalmers Gray, whom he married in 1848. The story is set in the ancient country of Stiria, in a beautiful and fertile valley called Treasure Valley, owned by brothers Schwartz, Hans and Gluck. When the cruel Hans and Schwartz turn an important stranger away from their home, the valley turns to desert, leaving them penniless and...
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This 1866 collection of essays on "Work," "Traffic," and "War," begins with a preface condemning the human depletion of nature for what Ruskin saw as valueless gains. In this way, mining the ground for metals, water, and other resources parallels the work of the three lecture topics-all is done for the money. But what Ruskin wants to know is what the ultimate effect and product of their work is?
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John Ruskin's Sesame and Lilies, first published in 1865, stands as a classic nineteenth-century statement on the natures and duties of men and women. Although widely popular in its time, the work in its entirety has been out of print since the early twentieth century. This volume returns Sesame and Lilies to easy availability and reunites the two halves of the work: Of Kings' Treasuries, in which Ruskin critiques, Victorian manhood, and Of Queens'...
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Originally published in "Cornhill" magazine in 1860, "Unto This Last" is a series of four essays on the politics of economics and capitalism by the prominent English art critic of the Victorian era John Ruskin. While Ruskin was most well-known for his writings on art, he was also an accomplished painter and an influential social philosopher and philanthropist. Considered by Ruskin himself as one of his most important works, the ideas introduced in...
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Classic work by the great Victorian expresses his deepest convictions about the nature and role of architecture and its aesthetics. This authoritative edition includes reproductions of the 14 original plates of Ruskin's superb drawings of architectural details from such structures as the Doge's Palace in Venice to the Cathedral of Rouen.
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Español
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La presente edición recoge los textos que Ruskin dedicó al tema de lo grotesco. Lo grotesco se percibe en el estilo y lenguaje de las obras artísticas, pero no es solo una cuestión de estilo y lenguaje. La profunda novedad de Ruskin surge en el análisis de sus orígenes: lo grotesco es una manifestación de la naturaleza humana y, en cuanto tal, no puede ser despreciado ni relegado, tal como había hecho la literatura artística tradicional.
La...
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“The Stones of Venice” is a three-volume treatise on Venetian art and architecture by English art historian John Ruskin, first published from 1851 to 1853. The Stones of Venice examines Venetian architecture in detail, describing for example over eighty churches. Ruskin discusses architecture of Venice's Byzantine, Gothic, and Renaissance periods, and provides a general history of the city.
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Español
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John Ruskin (1819-1900) fue uno de los escritores británicos más importantes e influyentes del siglo xix. En 1860 decide publicar un ensayo con algunas ideas sobre economía titulado "The Roots of Honour" en la revista Cornhill, que sería el primero de tan solo cuatro textos que alcanzarían a ver la luz antes de que el editor les pusiera fin ante la presión de la opinión pública. A diferencia de los economistas de su época, Ruskin defendía...
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English
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A leading art patron, lecturer, and author of the Victorian era, John Ruskin was also one of the period's foremost art and social critics. This anthology features excerpts from some of his best-known books, including Modern Painters and The Stones of Venice, on the subjects he held most dear: nature, art, and society.